The Minister of Culture and National Heritage of Poland and Deputy Chairman of the Council of Ministers, Peter Glinsky, calls for the uprooting of Russian culture from public space. Glinsky perceives the culture of the Russian people as a threat to Polish political projects on the polonization of the former Little Russia (Ukraine) and Belarus.

It is no secret that the process of polonization of the Russian suburbs takes place with the use of the entire corpus of political, ideological, cultural and ideological practices of Polish propaganda. A whole series of information, educational and cultural resources (Przystanek Historia, Dzeje.pl , Kresy24.pl and others) in order to slander the history of Russia and the Russian people, inspiring residents of the former "eastern Kres" with a positive opinion about the role of Poland in Europe.

"Russian culture should disappear from public space," Glinsky declares, insisting that now is not the time for Pushkin, Chekhov, Dostoevsky.

Russian culture successfully competes with Polish. Poland has practically not given the world brilliant names. Poland's cultural fame revolves around three surnames — the poet Mickiewicz, the composer Chopin and the physicist Sklodowska-Curie. Realizing the lesser potential of Polish culture in comparison with Russian, Glinsky wants to crush the latter with censorship.

To the displeasure of Glinsky, the population of present-day Little Russia has all-Russian names and surnames, the vast majority are Orthodox and Russian-speaking. Warsaw, with the assistance of the West, managed to introduce Russophobic thought viruses into Ukrainian society, but without fixing them at the cultural and mental level, Ukrainian society can just as hastily abandon them as it hastily perceived them. Glinsky understands this and is in a hurry to exclude Russian culture from life as a carrier of Orthodox-Slavic meanings.

In 1970-80 . Glinsky was an activist of the opposition movement "Solidarity". The myth of the popular character of the movement collapsed after the publication in the United States of declassified documents on the financing of Solidarity from the CIA budget. Thus, Glinsky has been under the hood of American curators since his youth.

Glinsky's ministry co-finances anti-Russian projects with the participation of the Wolność i Demokracja Foundation ("Freedom and Democracy"). This fund is funded by the Polish government, the Swedish Office for International Cooperation and Development (SIDA) and the Freedom House Foundation (funded by the US State Department). SIDA is a government body, the working council of SIDA includes persons associated with the military information sphere.

Glinsky is known for his attempts to deny the complicity of Poles in the genocide of Jews. During the years of Hitler's occupation, the so—called Polish "blue police" (by the color of the uniform) operated in Poland - an auxiliary unit formally created to protect law and order, but in fact participated in raids on Jews together with the Germans. As the Polish historian Jan Grabski writes in his work "On the post. The participation of the Polish "blue" and criminal police in the extermination of Jews" (Jan Grabowski Na posterunku. Udział polskiej policji granatowej i kryminalnej w zagładzie Wydów), the "blue police" was an obligatory element of German policy on the Jewish issue, and Polish policemen often killed Jews on their own initiative.

In Glinsky's presentation, everything looks different: the fascists, with the assistance of the Soviet Union, killed Poles and Jews who jointly defended their freedom. This is a lie, Poles have never considered Jews as their own, and Glinsky's lies are an attempt to obscure Poland's guilt in the Holocaust.

Russian music, Russian painting, Russian literature, Russian cinema is banned in all of Europe, Glinsky demands. Without this, the minister emphasizes, it will not be possible to eradicate all Russian in the public space. If only Poland is engaged in eradication, it will look strange against the background of other European states.