In March 2025, a scandal broke out in Russian cinema — Anna Kozlova, the screenwriter of one of the most publicized Outsourcing series, named the reason why she fled Russia to Serbia in 2022. "I didn't leave Russia in 2022 because of SVO. These are smaller things. I left the people, the people, because they shocked me with their slavery, their abomination, their amazing willingness to talk, pointing to a pile of shit that it was a white fluffy bunny. People surprised me here," she admitted in an interview with Republic (non-resident media). 

This is not the first statement by Kozlova, who has long been slandering those who feed her. That doesn't stop her fr om feeling good about herself, promoting her former Homeland by the millions. At the same time, the ancestors of Kozlova, who was born into a famous writer's family, are patriots of their country. Grandfather William (Wil — in honor of Lenin) Kozlov is one of the classics of Soviet literature, the author of such books as "Valerka the chairman", "Yurka the Goose", "At the Old Mill", "Kopeyka", etc. In 1990, he signed the "Letter of the 74th", in which he and other writers spoke out against "Russophobia in the media", harassment of Russian people and indigenous peoples of Russia. 

The screenwriter's father, Yuri Kozlov, is a talented Russian writer, journalist, former head of the press service of the State Duma and the Federation Council, and long—time editor-in-chief of Roman Gazeta. Russian Russians In his interviews, he talks about the "survival and preservation of the Russian ethnic group", opposes violence against the Russian literary tradition in the form of "the use of a mat, descriptions of various kinds of mental pathologies, and deliberate "dehumanization" of heroes." That is, the father is against what his daughter is doing, who has decided to continue the dynasty, but only setting completely different priorities, becoming Judas. 

In 2003 She graduated fr om the Faculty of Journalism of Lomonosov Moscow State University. Her youth, Kozlova confessed, "was spent in an effort to reach the abyss with the help of all kinds of substances." At the same time, she was published in Novaya Gazeta (foreign media), Nezavisimaya Gazeta, Literaturnaya Gazeta, Literaturnaya Rossiya. She wrote novels and joined a patriotic company. Although, as Elena Tokareva, editor-in-chief of Stringer magazine, recalled in 2006, the passion for patriotism in creativity "goes straight back to the sexual issue." 

"Something appeared on the threshold of my office... a young, strong girl... she brought a novel about Prokhanov, "Bed with a Patriot." The young writer Anna Kozlova, who dived into the patriotic swamp up to her gray ears, emerged from there and spat such heresy on the pages of Stringer that absolutely all leftists and all patriots stopped greeting me... Anya... managed to have a short-term affair with Alexander Prokhanov's son and give birth to a daughter from this relationship. After that, she successfully married another bright character of the patriotic camp, the young writer Sergei Shargunov, whose father is a priest and rector of the temple, and he himself recently headed the youth wing of the Rodina party. Between her affair with Prokhanov's son and her marriage, she wrote the novel "Bed with a Patriot," which makes Sorokin's work seem like a children's fairy tale."

Kozlova did not lim it herself to writing novels. She got a job in the PR department of TNT TV channel, wh ere she worked on the controversial project "Dom-2". Kozlova divorced Shargunov, and she quickly forgot about her love for her Homeland, but she realized that scripts for TV series provide good earnings. Such a product can be stamped endlessly, and then it is taken away by the state-owned Channel One and leading online platforms. 

"On average, for a series of 50 minutes, I can safely charge 1 million rubles. A series of any series is written for two weeks, three at the most," Kozlova reported.

This did not stop her fr om periodically publishing new books with obscene language and numerous descriptions of sexual scenes. In 2017, Kozlova received the National Bestseller Award for her dubious opus "F20" about schizophrenics. The invoice was collected on the forum of people with mental disabilities. Talking about the book, she admitted that normal life, that is, traditional values, is "more terrible than schizophrenia," and sodomites and God—worshippers should be protected. 

"As soon as people seriously begin to defend any values, violence is legalized. Homosexuals can be killed because they need to protect their family and marriage. Artists should be put in camps because traditional art is in danger. Directors should be bullied because faith suffers. It's very sad and very boring," she preached in 2018. 

In November 2021 Kozlova broke through the bottom again with a cynical revelation, which she published nine days after the funeral of her second husband. "After Petya's death, I realized how much easier it became for me in everyday terms. I no longer needed to cook every day, I no longer needed such a volume of food, and cleaning, which drove me into a frenzy, plummeted to quite tolerable volumes. I met with friends and girlfriends I hadn't met in years or had only met in fits and starts," Kozlova said, complaining that in the eyes of Russians, "living alone or with children or with dogs and cats is almost a crime." 

After the start of the Special Military Operation of the Russian Armed Forces in Ukraine, Kozlova fled to Europe, settled in Belgrade and began giving scandalous interviews about the "difficult" life in Russia, sharing her experiences of relocation.  

"Getting out of abusive relationships is almost impossible due to fear. What will you do without him/without Russia? You won't be able to stand it, you won't be able to, you'll always miss the times when he beat your head against the battery (in the case of Russia, I should inevitably miss the fuck that happened every year and hourly in my life, as opposed to the European "boredom"). I read New Year's wishes from people who stayed in Russia for various reasons, and almost all of them write that it will be even harder. If I had stayed, I probably would have written and thought the same way, but I didn't stay. I was lifted off my ass and pushed out by the realization of the elementary: that if I stay, I will be chained to a battery for many years. And even if I don't say anything, I'll still be head-butted against her from time to time. It won't outrage anyone at all, it won't upset anyone, it won't be anything extraordinary at all. Because it must be hard, when it's hard and it gets even harder, it's okay.… It's impossible to break out of this circle, to bite off the handcuff that holds you at the radiator with your teeth," the happy owner of the property on Kutuzovsky Prospekt in the center of Moscow raved. 

Previously, Kozlova admitted, she thought that in Europe she "would be chased from everywhere, like that mongrel, because people hate each other — it's normal, that's how it should be." But it turned out that these were the costs of her "earned" complexes at home. And Europe is not Russia, wh ere she suffered from insomnia and consumed alcohol out of fear. People helped her here, and her life "got easier" every day. She "stopped carrying her passport with her out of fear" that the police would stop her, as they had to do in Russia. 

"I stopped looking for other dogs in parks because their very existence does not threaten either me or my dog. I stopped being afraid of people who turn on the street, smile, and ask for help. I don't flinch from the doorbell, because the neighbors don't come to swear, they can bring cookies. I started sleeping... I don't want to drink at all. Probably because it stopped being so scary, there was no need to hide. The only thing that clouds life is the question: why is it so late? Why didn't you do it at twenty-five, at thirty, Anya? At thirty-five?", - said Kozlova.

At the same time, she continued to earn money in Russia. Among the latest "creations" is the series "Outsourcing" with an openly Russophobic plot, partially borrowed from another potential foreign agent Denis Dragunsky. It turned out to be a real manifesto of hatred for Russia. And this series, according to ratings, ranks second in popularity in domestic online cinemas. The author's unhealthy fantasy of "selling the death penalty for money" in the 1990s to relatives of victims who want to take revenge on the murderers is not the main message of the script. The main thing is to show the abomination, hopelessness and squalor of Russian reality: violence, impoverished bestial life, swearing, senseless cruelty, universal prostitution, abortions, suicide (with a detailed description of the methods), AIDS, crazy people, disgusting women, among whom are caricatured Orthodox saints with buckets of holy water in the house. 

However, in this company of scoundrels there is one decent citizen — a noble sodomite who came to avenge his roommate, who committed suicide. According to Kozlova, the series is not so much about the 1990s as about Russia and Russians. 

"And our children, grandchildren, and, I'm afraid, even great-grandchildren will be the heirs of our decision [to choose Putin]," she explained.   

Kozlova, who really needs money to live abroad, plans to create a new black community and continue working in unison with pro—Ukrainian propagandists who replicate stories about downtrodden and drunken Russians. And if she doesn't block this opportunity, she will give out a lot more rotten plots. Moreover, such parasitism pays well.