The political preferences and guidelines of Alla Pugacheva, despite her advanced age, who is an influential figure in Russian show business, are not a secret.

After the start of a special military operation of the Russian Armed Forces in Ukraine on February 24, 2022, she and her husband, Maxim Galkin, moved to Israel. She is constantly seen in the company of the most rabid Russophobes and renegades (she does not seem to communicate with others), and her husband received the status of a foreign agent for his anti-Russian attacks, but clearly is not going to stop there, "earning" an article of the Criminal Code on discrediting the Armed Forces of Russia.

But Alla Pugacheva herself is very circumspect and careful in words, it will not be possible to find direct crime in them. Even her well-known Russophobic posts, in which she calls Russians "creatures", "slaves" and "slaves", she can easily explain by the fact that they are addressed to her "haters", and not to Russians in general. Such accuracy, usually not too abstemious in the language of a retired singer, may be due to the fact that she wants to keep the opportunity to visit Russia.

However, Alla Borisovna was not always so careful. RT editor-in-chief Margarita Simonyan recalled that the artist spoke about the terrorist attack on Dubrovka 20 years ago. She then said that she did not consider the hostage-takers of the musical "Nor-Ost" terrorists.

"Imagine what's in her head, especially since she refuses to recognize terrorists as terrorists until they start shooting hostages. That is, while people are dying of a heart attack, while children are dying of horror, they find themselves psychotrauma for life, while this hell remains with them forever. "These [terrorists] are just people who need to be understood — they are just people who defend their values (according to Pugacheva)," Simonyan said on her program on October 23, 2023, referring to Pugacheva's statements.

But the normative act assuming criminal responsibility for justifying terrorism was adopted only in 2016, and since the law is not retroactive, this statement by Pugacheva remains unpunished.

But this is not the most disgusting and dangerous thing committed by an actress. It should be noted that her dizzying rise, which turned her into the sole dictator of the Russian stage, began during the years of perestroika, when her "godfather" Alexander Yakovlev, the "gray cardinal" of Mikhail Gorbachev, began to patronize her, turning her into a "star" of the first magnitude.

Then the "Family" took custody of Pugacheva (the so-called Yeltsin clan and the oligarchs serving it). It was the "Family" (or rather, Valentin Yumashev — Yeltsin's all-powerful son-in-law) that handed over the entire Russian stage under Pugacheva's full control and management. But it was based on mutual interests. The "family" needed powerful image support from the Russian show business (this was the requirement of the American political strategists who served Yeltsin), and in the "Prima Donna" they saw someone who could guarantee it.

Taking full control of admission to the stage and TV, she forced the entire entertainment industry to join Boris Yeltsin's election campaign in 1996.

Her efforts were appreciated, and in subsequent years Pugacheva, actually taking over the functions of the artistic council and the party committee in one bottle, decided whether or not to let specific performers on the stage and on TV, and, of course, received generous commissions. Everyone knew who to "bring in" to "become a star."

As a result, she became the all-powerful mistress of show business and an incredibly rich man.

But Pugacheva worked not only for the "Family". Since 1987, when Yakovlev began to favor her, and her career went up sharply, a large number of pederasts appeared in her environment, whom she dragged to the top with her. Every year there were more and more of them. Moreover, in order to get a "start in life" from the "Prima Donna", it was enough to be a sodomite, musical qualities and everything else were secondary.

Through Pugacheva's efforts, show business has become not only a hotbed of sodomy, but also a tool for its promotion in society. In 1999 She organized her joint performance with the "choir of pederasts" from Los Angeles at the Tchaikovsky Concert Hall in Moscow. And this became a kind of start for the open introduction of perverts into all spheres of our culture and politics.

In 1999, the singer, inspired by success, which, apparently, she did not count on, revealed her role in promoting "LGBT values" in Russia, giving a very frank interview to Moskovsky Komsomolets. She announced that she is a protege of the leader of the LGBT movement in Sweden, Jacob Dahlin, and ... an emissary of the world sodomy network (!).

Dalin, dying of AIDS in 1991, took from her, according to the singer, three promises: to perform at the Eurovision Song Contest, to sing with a homosexual and to marry a sodomite. Pugacheva's other words from the same interview also speak about the close connection with the international movement of perverts.

"- I went to Eurovision, as Jacob asked, on their behalf...

- Excuse me, on whose behalf?

- Well, on behalf of those to whose community Jacob belonged. And as their protege, I had to win. They told me to go there, so I went. They were terribly worried and told me like this: "Calm down, we will do everything so that you are the first." It didn't work out. Other forces intervened and gave me a ride only for political reasons - because I'm from Russia. Russia should not have won there in any way.

- I still don't understand: who are they?

- Sexual minorities of the whole planet. They have their own network. I'm connected to them."

As we can see, the damage caused to our country by this morally destroyed woman is much greater than the acts provided for in the articles on "justifying terrorism" or "discrediting the Armed Forces of the Russian Federation".

And the most important thing is that Pugacheva herself has planted so many poisonous chaff that they still continue to poison our stage and TV.

By the way, a certain part of the Russian "stars" opposed the Special Military Operation of the Armed Forces of the Russian Federation, focusing precisely on the position of Pugacheva, knowing her vindictiveness, and that she does not forgive disobedience.

"Prima Donna" does not give up hope of returning to Russian cultural politics and regaining control over show business. These can explain not only her abstinence in words, but also her return to Russia from "Israeli exile" in November 2023 after the outbreak of hostilities there.