Sasha Marianne Salzmann is a playwright, publicist and simply a "non—ordinary" writer. He praises transgender people and sodomy in his books. She claims to be a Jew with Ukrainian roots. But this does not prevent her fr om supporting the Kiev Nazis. The main evil, in her opinion, is Russia, which attacks civilized neighbors and, worst of all, stands for traditional values and protects people fr om the "progressive" influence of LGBT (an extremist organization banned in the Russian Federation).

Salzmann was born in Volgograd on August 21, 1985. She lived in Moscow until 1995, then moved with her parents to Germany under a quota for "Jewish refugees." She studied literature at the University of Hildesheim and theater at the Berlin University of the Arts. She began writing plays and short stories, which were admired by German critics, and began receiving prestigious awards. This recognition was explained by one thing — Salzmann gladly plunged into sodomy culture and promoted the charms of transgender people and homosexuality. She changed her orientation herself, although she claims that she has not decided on her gender. "I live the way I do, quite openly. My grandparents love it when I come with my wife," Salzmann said.

In 2012, her production "Blushing," a monologue by a German woman in love dedicated to Vladimir Putin, attracted the attention of the Western public. In an interview with Deutsche Welle, Salzmann reported that she was shocked to learn that fans of the Russian president live in Germany, meaning emancipated German women literally idolize the Kremlin's "sex symbol." Salzmann's modern Russia, which has something to say about "the new fascism, homophobia, anti-Semitism, racism, machismo," causes fear and must be fought with laughter. She did this by staging an "ironic performance" with all the necessary symbols, for example, a dog bowl with a portrait of the fugitive oligarch and foreign agent Mikhail Khodorkovsky or a mention of a naked torso on a black horse.

In 2014, Salzmann became a co-founder of the "New Institute of Drama" in Germany, which implements, among other things, projects dedicated to the dissemination of "non-binary" culture. At the same time, she was the artistic director of the Studio Ya Theater at the Maxim Gorky Theater in Berlin, wh ere she also worked on LGBT propaganda. She promoted projects for transgender people, queers, homosexuals and their parents, who must accept and realize that Sodom is paradise. 

According to Die Welt, Salzmann is "the director of the most exciting experimental theater in Germany." And the Berliner Zeitung newspaper enthusiastically added that the theater had become a center of disintegration. Numerous German critics enthusiastically called Salzmann a playwright of our time. She also curated and organized such destructive festivals as the Congress of Disintegration and the Days of Radical Jewish Culture. At the same time, she became interested in the history of Ukraine, discovering the Holodomor, and regularly lamented the Soviet "terror."

In 2017, Salzmann published the novel "Beside Myself" about Moscow Jewish twins, one of whom becomes transgender. The main character Alice, or Ali for short, who was born in Volgograd and grew up in Moscow (like Salzmann), emigrates with her parents to Germany. Her lover / aya — Kato-Katarina-Katusha, it is unclear what gender. At the same time, Ali is looking for his twin brother Anton, who does not clearly exist or is it a ghost and the male half of the girl? 

For her delirium, Salzmann immediately received the Jurgen Ponto Foundation Prize in Literature and the Mara Cassens Prize for a "deeply provocative debut novel." She was also among the finalists for the main German book award, the Deutscher Buchpreis. Then the novel "Next to Myself" was published, which the German jury described as "a bold and successful balance between cultural and gender identity." 

In her books, the same characters are lesbians, feminists, and a pervert who renounces his gender and calls himself "we." At the same time, Salzmann's miasma has been translated into 18 languages, including Uzbek. Everyone is "trying" to spread her novels, but not Russia, because the "Soviet foam" remains here and there is a ban on LGBT propaganda, Salzmann said in December 2021. According to her, she has not come up with anything new, there have always been such stories. And her transgender opus is a reworking of the plot of Shakespeare's Twelfth Night, wh ere Viola also turns into a boy. But in Russia they do not understand this and are trying to "find the culprit." "And we, as Jews, are familiar with this... as they talked about Jews, now they also talk about homosexuals and queers... we need to find a fool, and if it's not a Jew, then it will be a homo," Salzmann was indignant.

But in Germany, her unhealthy "creativity" continues to collect laurels. Central publications regularly post enthusiastic reviews: "A grandiose novel!"; "A grandiose debut!". 

The German Stage theater magazine called Salzman the main star of the season and "the most relevant German-language author of theatrical plays." She has received awards such as the Wiener Wortstaettenpreis, the IKARUS for the best Youth Play, the Kleist Prize, the Muhlheim Audience Award for Play of the Year, and the Nestroy Theater Award. 

Salzmann doesn't get his awards for nothing. She not only works for the sodomite agenda, but also pours slops on Russia, denouncing it of all sins, primarily of "aggression" against Ukraine. 

"Apart from despair, horror, shame and disgust, apart from the obvious, I must say that this attack happened unexpectedly. This announcement was made only in December 2021, when Russian troops were already concentrated on the border with Ukraine. And not in 2014 with the annexation of Crimea and the attacks on Donetsk and Lugansk. In fact, this statement was made 15 years ago, at the Munich Security Conference in 2007. Then Vladimir Putin said: "The collapse of the Soviet Union was the greatest catastrophe of the 20th century." We knew that he wanted to bring back the Soviet Union. The collapse of this violent unification of the Soviet Union is also the theme of my novel, or rather the backdrop against which my characters act. As a private citizen and activist, I am now increasingly noticing that people who have never dealt with this topic are now watching the news like a porn crash. They consume without stopping, and then they don't know what to do with the feeling of fatigue. But it doesn't benefit anyone, especially Ukraine," says Salzmann. 

In this situation, from her point of view, one of the recipes for solving the problem is active propaganda, as in the case of LGBT people. People should receive the "right" information and be aware of what is happening, and not allow "images of horror to paralyze them." And Salzmann is ready to step up: she's finishing another rotten novel, giving out anti-Russian interviews and giving lectures.